Tekton Design Models 3.1, 4.1, 4.5, and 6.5 Slated to be Discontinued…

Posted in Uncategorized on November 6, 2009 by tektondesign

With our models 3.1, 4.1, 4.5, and 6.5 now being all more than 4 years old, it’s time for something new! We’ve had an incredible run with these lineups, but quite frankly, we’re in the mood to raise the bar once again.

To everyone that has purchased these models over the last four years time, we say thank you!! The loudspeakers were so wonderfully received. They immediately became the de facto “affordable hi-fi” speakers. It has been so rewarding to have received many hundreds of emails from happy customers who’ve purchased these models, and we’ve really had fun with them. We’re confident that these models were the very best “affordable hi-fi” loudspeakers available!

Effective January 01, 2010, we will discontinue the sale and production of these models. So move quickly if you want to own a pair of these. The new models will have significant price increases attached to them.

Moving forward, we will be offering a new lineup of products that will once again clearly redefine the very best that can be built and offered in their respective categories. Details to come, but hands down, we’ll still be the undisputed “affordable hi-fi” leading loudspeaker manufacturer!

Thank you for your business,

Eric Alexander
CEO & President, Tekton Design, llc

Full-Range Driver Break-In…

Posted in Uncategorized on November 2, 2009 by tektondesign

My average typical full-range driver sale usually unfolds like this: The customer has just placed the order with me and tells me that he is very excited to receive the speakers and cannot wait to hear them. Then comes the inquiry. “Oh, and by the way, I hear that there’s quite a lengthy break-in period for full-range speakers. How long does this process take?”

The break-in process for pistonic motion transducers (i.e. the conventional loudspeaker) is an intriguing branch in loudspeaker design. Scientifically evaluating the transition from crisp, new transducers into fully functioning and matured devices has always been quite fascinating to me.  I have learned a lot and have implemented much in the way of design from the knowledge that I’ve gleaned from my observations into the subject. However, in my opinion, there is nothing in the full-range speaker movement that has generated more useless and foolish chatter than the so-called “driver break-in period.” It is also the primary header that dubious, and quite frankly, suspect loudspeaker builders cloak their mischief under, using it to pass off to you, the audiophile, their less-than-stellar work.

As I quoted in a previous post, “The greatest thing about speaker building is that anyone can do it and be successful, but the worst thing about speaker building is that anyone can do it and be successful!” So, audiophile buyers, beware!

A few years back, while attending an audiophile tradeshow, I purposely eavesdropped on a conversation involving an interested customer and a sales rep from the rear of a competitor’s (you would know the name!) demo room. Interestingly,  the company’s sales rep turned out to be the company founder and owner. After a few simple questions, the customer asked if there was a break-in period for the speakers. And what I heard next was about the biggest line of tomfoolery I’ve heard in all of my years in audio! “Yes,” he said, and proudly proclaimed that it takes up to 500 hours for their work of art to fully break-in, and that while new, the admittedly timid bass response was going to magically improve at some key point in the future! Not! Now, as a guy who has many years under his belt that are directly attributed to transducer engineering, I really cannot think of another audio-related conversation that was more offensive to me than hearing that one. Sadly, this company does sell a lot of speakers and people believe its twisted spiel.

500 hours break-in! Proper loudspeaker break-in is, indeed, long, and is to be expected. However, let me be perfectly clear – if a loudspeaker that you’re auditioning,  demoing, or have purchased doesn’t sound excellent right out of the box (excluding optimizing placement and final tweaking), immediately pack it up and send it right back where it came from, period! My offerings included!

Now, if you decide to purchase that drop-dead gorgeous pair of $20k High Jinks and choose to follow their strictly outlined homage-inducing burn-in protocol, here’s where it really gets serious. You are about to be sucked into the biggest psychoacoustic hoax in all of audio! I promise you that all of the burn-in and break-in time in the world isn’t going to make an inferior loudspeaker a world-class loudspeaker. What will happen is that over a period of time, the loudspeaker will continue to sound terrible. However, the “break-in” transition is really taking place within your brain. Through long term exposure, your ear/brain is literally psychoacoustically transitioning this inferior device to into a palatable and pleasant experience, and pretty soon, even the worst and most obvious design flaws are fully compensated or masked by the brain. An auditory illusion is far from world class audio! So, you don’t believe in auditory illusions?! Here’s an eerie one for you: http://en.wikipedia.org/wiki/Shepard_tone

Timid bass/poor bass weighting,  midrange shout (a well-known full-range manufacturer’s infamous attribute), a forward-sounding image, directional sound, and poor off-axis power distribution (all of which are common attributes of many full-range loudspeaker designs),  are simply the product of poor or even intentional design, and have absolutely nothing to do with break-in.

Full-range break-in – what you need to know:  All pistonic-type transducers have a very clear and predictable rate of change that occurs within the first few hours and within the extended hours of initial break-in. In the realm of credible transducer engineering, we see major changes (10-15%) occuring within the first 1-15 hours of break-in. This is the period where the major shifts normally occur. Beyond 15 hours, in a properly functioning and typical device, the process really slows down and small, incremental changes are typically observed over time. 

The Key: When a new transducer’s soft parts (cone, surround, spider, etc.) are crisp and tight, there is a specific level of transverse friction within a number of parts in the transducer. Once we get the driver working through its effective range of motion (far from linear), the transverse friction levels immediately begin to predictably drop, and the piston moves more and more smoothly with less and less resistance.

The full-range mystery: The break-in process (with all of its negative attributes) simply happens to be most intrinsically connected to, and is most audibly discerned through a full-range transducer. This is because a full range simply has the ability to augment the very subtle higher frequency centered distortions, squeaks, and squawks that a crisp new speaker is capable of producing.  Once again, if it is a full-range speaker and if it sounds bad out of the box, don’t wait for a miracle to happen; send it straight back to whomever you got it from because the speaker has serious problems. If it sounds quite good but has a very subtle graininess, or a few mild distortions, or the sound is crisp but still pleasant, then you’ve got a keeper! Sit back and be patient, and you will be pleasantly rewarded within 15-20 hours of moderate playback levels – this amount of break-in time will get you to about 80%-complete break-in. Beyond that, a functionally full and nearly complete break-in period of 200+ hours is quite reasonable and is to be expected.

Much more on this subject to follow…

Eric Alexander

Home Theater System Now In Production…

Posted in Uncategorized on October 30, 2009 by tektondesign

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Tekton Design FE126E - 10 inch Subwoofer

I’m excited to share with you a new Fostex FE126E & dual 10-inch subwoofer home theater system! Truly great sound! A few advantages here are high sensitivity – 96dB average SPL – it’s guaranteed to play loud, go deep, and sound genuinely realistic! The true full-range design provides full-range audio with precisely controlled directivity (this type of approach will yield about the most realistic/believable sound field possible). Proudly handcrafted in the U.S.A.

Many more images and a full set of specifications & measurements to be posted soon! Please give us a few days to get everything up on the web site.

Pricing is planned to be $1500 – $2000 (depending on options).

If you’re planning a purchase to be timed with the holiday season, now is the time to inquire -  pre-order your gear today!

Thanks,

Eric

Custom Finished Pair of Model 4.1s Available – Cobalt Blue

Posted in Uncategorized on October 22, 2009 by tektondesign

Tekton Design Model 4.1 - Cobalt Blue

Tekton Design Model 4-1 Frequency Response

Tekton Design Model 4-1 Impedance

We’ve got a single pair of these priced at $250 + shipping for the pair. They are simply too cool! If you can find a better performing (see the attached measurements) loudspeaker at this price, I’ll stop building loudspeakers… period!

Please inquire.

Tekton Design 8.1T Measurements

Posted in Uncategorized on October 21, 2009 by tektondesign

8-1T Frequency Response

8-1T Phase and Impedance

Please note: A quick bit of research on the web (search past reviews for published frequency response curves) and you will immediately discover that our 8.1T loudspeaker outperforms the Klipsch RB-81 8 inch monitor. Our overall frequency response is tighter and is more linear. The –3dB frequency is lower. And most importantly… the 8.1T has more bass output and its efficiency is focused to the bass region (right where it’s needed)!

Proper bass weighting is the Achilles heel of every claimed higher output loudspeaker intended to drive the low/medium Wattage Tripath type amplifier.

Model 6.5 Blank Cabinets for sale – limited quantities available

Posted in Uncategorized on October 10, 2009 by tektondesign

10-11-2009

I’m constantly asked if we have blank cabinets available. I’ve just completed a limited production run of extra Model 6.5 blank cabinets. I have them priced at $200 + shipping until they are gone.

Cabinet dimensions are 18.625” tall x 11.625” deep x 8.5’ wide. They are finished in a beautiful satin black lacquer (un-textured) finish. They are complete with the inputs and vents installed. Just load in your drivers and go. There are a number of Fostex models that will fit… the entire Fostex lineup of older vintage and newer vintage 6.5” drivers should fit perfectly.

I can process your credit card over the telephone (801-836-0764) or we can do a PayPal (shoot me an email).

Thank you,

Eric Alexander

Exciting News! Tekton Design Earns Prestigious Blue Note Award!

Posted in Uncategorized on October 4, 2009 by tektondesign

Best of 2009!

EnjoytheMusic.com reviews 120 high-end audio products each year. Out of that, they issue 20 Blue Note Awards per year. This covers all components in high-end audio (CD players, amplifiers, cables, etc.). We are thrilled that Tekton Design has won this prestigious award for its open-baffle designs.

“Eric Alexander has paid his dues in the audio industry with larger companies and his time is now.” — Enjoythemusic.com

Many thanks to Steve Rochlin, Rick Becker, and gang. We’re glad you love our products!

http://www.enjoythemusic.com/magazine/equipment/1009/best_of_2009.htm

Not Built by Girls in China

Posted in Uncategorized on October 4, 2009 by tektondesign

TEKTON DESIGN: Not built by girls in China1 – WHY YOU SHOULD BUY FROM US

First: Tekton Design loudspeakers are not built by 18-year-old girls on assembly lines in China who have the very minimum skills to do a single menial task in the name of hi-fi.

Second: Our products are something we are proud of. We’re doing our very best to bring you precisely hand-crafted and perfectly executed systems, and we do this at a price point that we can proudly say fits within truly affordable hi-fi!

Third: We’re truly setting ourselves apart. In the under $1k price range for speaker systems, we’re offering products that compete in a market in which 90% of our completion literally has no bona fide or legitimate argument/explanation for its presence as one of our competitors. One of my closest friends stated it perfectly: “The greatest thing about speaker building is that anyone can do it and be successful, but the worst thing about speaker building is that anyone can do it and be successful!” This paradox is real. Think about it… Asian manufacturing coupled with big marketing is king. Their stuff is produced in the tens of thousands and is offered to the masses. Where are their personal skills and talents? Nearly all of my competitors have no real background in loudspeaker design and innovation… they aren’t acoustical brainiacs, nor are they craftsmen. They lack the intellectual property and patents. They’re simply entrepreneurs that specialize in what lawyers and insurance companies have coined best: “One call… That’s all!” That is, the “entrepreneur” calls an international vendor, places an order for the “best sounding” and “lowest possible priced” speaker systems that the vendor can produce. Quality sacrificed.

Please spread the word about Tekton Design…

Best regards,

Eric Alexander
CEO & President, Tekton Design, llc

Footnotes

  1. I’ve worked in China. The top 10 consumer brands are built on assembly lines made up of girls in China. I’ve watched their stuff come off the assembly line and be stuffed into boxes bearing the labels of the brand logos you know.

The loss of a pioneer

Posted in Uncategorized on September 23, 2009 by tektondesign

When it comes to the best of the best, there was and is no one more gifted and accomplished in the art of loudspeaker design than Jim Thiel. Thank you so much for all of the contributions that you made to the world of hi-fi and specifically, loudspeakers! For many years, I’ve watched and tried to emulate you and your example. You were truly a legend to me. You were an innovator, a scientist, a perfectionist, and a gentlemen. Your presence at the trade shows and hi-fi events will be deeply missed. I never told you this personally, but you were one of my heros!

Every loudspeaker you produced was perfectly executed. Every demo I ever heard was flawless. As a product development engineer, I even had the honor and duty to dig into and document your work (some would call it reverse engineering). Jim, you were brilliant!

Jim Thiel, you will be sorely missed.

We express our heart-felt condolences to your family and friends.

Eric Alexander

URUZ measurements to be published!

Posted in Uncategorized on September 23, 2009 by tektondesign

I’m very proud of the level of engineering execution we’ve achieved regarding the Uruz loudspeaker. The Uruz model truly raises the bar to a new level of performance in the high sensitivity direct radiator loudspeaker category.

And now that the new Zu Essence measurement data is in the public domain (October 2009 Stereophile review), I’ve chosen to go public with Uruz performance data. After all, both loudspeakers are geared towards an identical audience. Both systems use nearly identical 10” drivers (though I choose not to implement the phase plug modification), and they both use ribbons.

Here’s what the URUZ promises to deliver:

  • Superior frequency response linearity
  • Improved impedance linearity
  • Superior phase response
  • A true 8 Ohm system – with a Z-minimum of 6.16 Ohm
  • Superior impulse response & step response
  • A near identical sensitivity SPL performance rating

More to come…watch for the URUZ loudspeaker performance data to be published very soon.

Best regards,

Eric Alexander